Hey man, I know it’s hard. You’re sitting down at the keyboard, busting out your latest masterpiece, and you’re thinking:
“Man, characterization is tough! What if I just did it for my protagonist and no one else?” Continue reading Can We Have At Least Two Interesting Characters?
I’ve been jamming tons of text into my eyeballs lately, flash fiction and short stories, novels and craft blogs.
I also told you how I really feel when I wrote Things I’m Sick of Reading About in September. In it, I railed against stories that lack a proper ending. TL;DR If you misuse authorial power so blatantly, this is you:
Call me old-fashioned, but I believe in real stories; stories with beginnings, middles, and ends. Stories that leave the audience satisfied, rather than befuddled, upon reaching the end. When someone writes a story with no end, I wonder, did they have a purpose in writing at all, or did they just want to waste my reading time? In 100% of apprentice writers, 99% of journeyman writers, and 95% of masters, the inconclusive ending flops.
So I stand unapologetically pro-ending.
Next question! Given that an ending must exist (assuming you buy my unconvincing and ill-backed opinion), what kind of ending shall we have? Continue reading Downer Endings: The Novel’s Answer to the Hollywood Ending!
I picked up The Tomorrow Project: Bestselling Authors Describe Daily Life In The Future at Norwescon in 2011. Given my forty book backlog (which I’m decreasing, at least until my December B&N/Half-Priced Books trip), my reading latency shouldn’t be shocking.
Gregory Blake 